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September 18, 2006

Portraits of Catholic Youth

I have beed doing some research on photographic portrayals of visual practice and recently came across some beautiful portraits published in the New York Times of students who attended Catholic World Youth Day in 2005. See the photos here.

I like the humanity and sensitivity of the portraits. While religious symbols and dress often appear in the photos, their use is not over the top or cliche, neither are the youth made to look strange or exotic, yet also clearly come from around the globe.

September 13, 2006

Gender Roles at Mars Hill Seattle

Earlier this year I posted a piece on the liberal baby bust about the declining fertility rates in Seattle versus Salt Lake City which may have something to do with cultural religious identity.

Salon.com published a story, Come As You Are, by Lauren Sandler. The article covers Mars Hill, a church in Seattle geared toward the hipster crowd and is preaching a conservative Christian message. The piece reads like an editorial and Sandler clearly doesn't like what is happening at Mars Hill. Journalistic merits aside, the piece raises some interesting questions for me.

The way Driscoll sees it, the more babies his conservative Christian congregation can produce in this child-poor city, the more they can redirect local politics, public education, and culture in one of the liberal capitals of the world. To complete his trifecta of indoctrinating, voting, and breeding, Driscoll has developed a community that dwarfs any living experiment of the '60s. To say that Mars Hill is just a church is to say that Woodstock was just a concert.

Mars Hill wrests future converts searching for identity and purpose from the dominion of available sex and drugs that still make post-grunge Seattle a countercultural destination. Driscoll promises his followers they don't have to reprogram their iTunes catalog along with their beliefs -- culture from outside the Christian fold isn't just tolerated here, it's cherished. Hipster culture is what sweetens the proverbial Kool-Aid, which parishioners here seem to gulp by the gallon. This is a land where housewives cradle babies in tattooed arms, where young men balance responsibilities as breadwinners in their families and lead guitarists in their local rock bands, and where biblical orthodoxy rules as strictly as in Hasidism or Opus Dei.

Following Driscoll's biblical reading of prescribed gender roles, women quit their jobs and try to have as many babies as possible. And these are no mere women who fear independence, who are looking to live by the simple tenets of fundamentalist credo, enforced by a commanding husband: many of the women of Mars Hill reluctantly abandon successful lives lived on their own terms to serve their husbands and their Lord. Accountability and community is ballasted by intricately organized cells -- gender-isolated support groups that form a social life as warm and tight as swaddling clothes, or weekly coed sermon studies and family dinner parties that provide further insulation against the secular world. Parents share child care, realtors share clients, teachers share lesson plans, animé buffs share DVDs, and bands share songs.

If Sandler’s depiction of conservative theology and strictly defined gender roles is accurate, why is it that Mars Hill is wildly successful by church attendance standards? They have loads of people attending regularly and have multiple campuses in the city and have a significant membership of young adults in the hipster neighborhoods of Seattle? What is it that makes them so attractive? Sandler answers:

To young evangelicals, our secular world is devoid of the type of love they seek, not parental love or fraternal love or even erotic love, but an even bigger love -- a love called agape. When Christians describe God's love for his children this is the word they invoke, a love so powerful one is moved to proclaim it on car bumpers and coffee mugs. Hand in hand with certainty, agape is what this generation longs for today -- a love that will soothe the pain of breakups and breakouts, heal the wounds from shattered families, make bearable the awareness that we are each a solitary speck in an illimitable world. It's the emotion that secularism, enraptured by its logic and empiricism, refuses to engage…

The way Driscoll sees it, America has been marketed to so constantly and shamelessly that it has produced a generation of jaded cynics desperate for what feels real. It is his edgy Jesus, he says, who best reaches a searching crowd. Likewise, he points out, this generation has grown up rootless and unparented, yearning for discipline within the very orthodoxy that Driscoll makes relatable and relevant. "They know there's more to life than waking up, eating what's in the fridge, watching what's on TV, and then going back to bed, than the rest of their porn-addicted, video-game-playing, loser friends," he tells me. "That's what I give them through the Bible. I say, let me give you some rules, not to be a jerk, but to help you out. And when was the last time that anyone in their busted-up family did that?"

Driscoll has built a fundamentalist empire by blending this stern-father sensibility with the savvy of a pop mogul mainstreaming alternative culture while maintaining its underground appeal.

Mars Hill offers members love, community, and a rule of life in a way that is culturally and personally accessible. That makes plenty of sense, but what about the gender roles and fertility issues that seem to go against the grain of Seattle Culture? Is it that people are finding something they deeply love in defined gender roles and nuclear family systems? Or is it, as Sandler seems to suggest that, women were somehow loved into or duped into accepting these roles? (See the section in which she writes about Judy Abolafya. See also a response written by Judy here.)

It seems that in the U.S. those churches that are growing significantly and quickly have two things in common: conservative theology and highly refined and culturally sensitive community systems. (This is anecdotal and not linked to any formal study). If you want to start a wildly successful church, do you need to have both or are highly effective community systems enough?

September 11, 2006

Battlestar Galactica

I've recently been hooked on the sci-fi series Battlestar Galactica, a new take on an old television show. The premise is that humans created a race of machines, Cylons and the Cylons rebeled destroyed almost all of human civilization and what is left of humanity is running from the Cylons trying to find the mythical planet earth.

An interesting feature of the show is that it has 2 competing theological systems built in. The humans believe in a pantheon of gods (basically the greek gods with a few very minor changes) whereas, the Cylons have a monotheistic system. More interesting still is that the entire show has roots in the theology of The Church of Jesus Christ of latter-day Saints. Ellen Leventry writes about it in her article, Born-Again ‘Battlestar.’

Unbeknownst to most viewers, “Battlestar Galactica” has been steeped in religion since its very inception. First pitched by uber-producer Glen A. Larson as a series of Bible stories set in space called “Adam’s Ark,” the reworked “Battlestar Galactica” was also influenced by another religious book: the Book of Mormon. A member of the Church of Jesus Christ of Latter-day Saints, Larson borrowed plot points from his faith's sacred texts.

"'Battlestar Galactica' and the Book of Mormon both start from the premise that civilization is either about to be destroyed or has just been destroyed and that there’s this remnant, this ragtag fleet that is preserved,” explains Jana Reiss, author of “What Would Buffy Do?” “The story of the Book of Mormon is set in the time frame of the destruction of Jerusalem. The prophet Lehi has a vision of the destruction of Jerusalem and was able to get his family out in time.”

There are many other similarities between the show and the Latter-day Saint scripture. While not purely a Mormon concept, the idea of the “Lost Tribes of Israel”--that ten tribes of Israel were "lost" to history after they were exiled--plays an important role in both the religion and in the show. “The idea of there being these other civilizations that have the gospel is a main tenet in Mormonism,” notes Reiss. “There is this idea, in the show, that Earth will be this colony that they don’t have a record of but they believe it exists.”

There is considerable discussion of the role and agency of the god(s) as well as character destiny as well as the classic sci-fi exploration of what it means to be human/alive. This combined with cool special effects, space battles, and good writing make the show a blast to watch. Thank you to Arni for the article link.